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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ specialty=“on“ _builder_version=“4.27.4″ _module_preset=“default“ custom_padding=“||2px|||“ global_colors_info=“{}“][et_pb_column type=“3_4″ specialty_columns=“3″ _builder_version=“4.16″ custom_padding=“|||“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_row_inner _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column_inner saved_specialty_column_type=“3_4″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.27.4″ _module_preset=“_initial“ header_2_font=“Source Sans Pro|600|||||||“ header_2_font_size=“48px“ header_2_line_height=“1.4em“ header_2_font_size_tablet=“32px“ header_2_font_size_phone=“20px“ header_2_font_size_last_edited=“on|desktop“ global_colors_info=“{}“]<\/p>\n
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Auch in diesem Semester erwartet Sie ein vielf\u00e4ltiges Programm rund um internationale Politik, deutsch-russische Beziehungen, Geschichte und Kultur. H\u00f6hepunkte sind der Besuch der Nobelpreistr\u00e4gerin Dr. Irina Scherbakowa (Memorial), eine Lesung der russischen Autorin Maria Stepanova sowie ein Vortrag \u00fcber politischen Humor im heutigen Russland. Mit dabei sind auch Freiburger Kulturschaffende wie Renate Obermaier und Heinzl Spagl sowie ein Themenabend zur j\u00fcdischen Geschichte Lembergs (Lwiw).<\/span><\/p>\n In Kooperation mit renommierten Partnern wie dem Theater Freiburg, der Universit\u00e4t Freiburg und der Heinrich-B\u00f6ll-Stiftung.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][et_pb_column type=“1_4″ _builder_version=“4.16″ custom_padding=“|||“ global_colors_info=“{}“ custom_padding__hover=“|||“][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=“1″ specialty=“on“ _builder_version=“4.27.4″ _module_preset=“default“ custom_padding=“3px||2px|||“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ custom_padding=“|||“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_image src=“https:\/\/www.zwetajewa-zentrum.de\/wp-content\/uploads\/2025\/05\/programm-sommer_2025-05.05_finale-1.jpg“ title_text=“programm-sommer_2025-05.05_finale 1″ 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global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.19.1″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.19.1″ _module_preset=“default“ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.zwetajewa-zentrum.de\/wp-content\/uploads\/2025\/04\/Scherbakova_Foto-Kseniya-Plotnikova.jpeg“ title_text=“Scherbakova_Foto Kseniya Plotnikova“ url=“https:\/\/www.zwetajewa-zentrum.de\/veranstaltung\/irina-scherbakowa-erinnerung-als-provokation\/“ _builder_version=“4.27.4″ _module_preset=“default“ border_radii=“on|30px|30px|30px|30px“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.19.1″ _module_preset=“default“ global_colors_info=“{}“][et_pb_blurb title=“Irina Scherbakowa. Erinnerung als Provokation “ image_icon_width=“32px“ icon_alignment=“left“ content_max_width=“100%“ _builder_version=“4.27.4″ _module_preset=“_initial“ header_font=“Source Sans Pro|600|||||||“ header_font_size=“20px“ header_line_height=“1.2em“ body_font=“Source Sans Pro||||||||“ body_text_color=“gcid-a9d8e14e-2f78-408a-a83c-506939196b52″ body_line_height=“1.6em“ custom_padding=“20px|20px|20px|20px|true|true“ animation=“off“ header_font_size_tablet=“16px“ header_font_size_phone=“15px“ header_font_size_last_edited=“on|desktop“ border_radii=“on|30px|30px|30px|30px“ border_width_all=“1px“ border_color_all=“#000000″ locked=“off“ global_colors_info=“{%22gcid-a9d8e14e-2f78-408a-a83c-506939196b52%22:%91%22body_text_color%22%93}“]<\/p>\n Erinnerung ist keine harmlose Angelegenheit \u2013 besonders nicht in autorit\u00e4ren Systemen. In Russland wird Geschichte aktiv umgeschrieben: Schulb\u00fccher werden neu verfasst, kritische Wissenschaft wird unterdr\u00fcckt, und eine offene Auseinandersetzung mit der stalinistischen Vergangenheit ist kaum mehr m\u00f6glich. Irina Scherbakowa spricht \u00fcber\u00a0<\/span>Gefahren und Folgen, die es nach sich zieht<\/p>\n [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_blurb title=“Maria Stepanova. Der Absprung“ image_icon_width=“32px“ icon_alignment=“left“ content_max_width=“100%“ _builder_version=“4.27.4″ _module_preset=“_initial“ header_font=“Source Sans Pro|600|||||||“ header_font_size=“20px“ header_line_height=“1.2em“ body_font=“Source Sans Pro||||||||“ body_text_color=“gcid-a9d8e14e-2f78-408a-a83c-506939196b52″ body_line_height=“1.6em“ custom_padding=“20px|20px|20px|20px|true|true“ animation=“off“ header_font_size_tablet=“16px“ header_font_size_phone=“15px“ header_font_size_last_edited=“on|desktop“ border_radii=“on|30px|30px|30px|30px“ border_width_all=“1px“ border_color_all=“#000000″ locked=“off“ global_colors_info=“{%22gcid-a9d8e14e-2f78-408a-a83c-506939196b52%22:%91%22body_text_color%22%93}“]<\/p>\n In ihrem neuen Roman Der Absprung<\/em> (Suhrkamp, 2024) erz\u00e4hlt die russische Autorin Maria Stepanova von einer Frau im Exil \u2013 von Aufbruch und Ersch\u00f6pfung, von Sprachverlust und innerem Widerstand.<\/p>\n Maria Stepanova liest aus dem Originaltext, Elisabeth Cheaur\u00e9 \u00fcbernimmt die deutsche Lesung und spricht mit der Autorin \u00fcber Literatur in Zeiten des Exils, Sprache als Heimat und das Unaussprechliche des Verlusts.<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.zwetajewa-zentrum.de\/wp-content\/uploads\/2025\/05\/69f7edeeafd38ffc472d2c5a4ab131b6.webp“ title_text=“69f7edeeafd38ffc472d2c5a4ab131b6″ url=“https:\/\/www.literaturhaus-freiburg.de\/?e=maria-stepanova-der-absprung-zweisprachige-lesung-und-gespraech-mit-elisabeth-cheaure“ align=“center“ _builder_version=“4.27.4″ _module_preset=“default“ max_height=“293px“ border_radii=“on|30px|30px|30px|30px“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.zwetajewa-zentrum.de\/wp-content\/uploads\/2025\/04\/Cheaure.jpeg“ title_text=“Cheaure“ _builder_version=“4.27.4″ _module_preset=“default“ width=“100%“ border_radii=“on|30px|30px|30px|30px“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_blurb title=“ELISABETH CHEAUR\u00c9. GROSSE UTOPIEN, GESCHEITERTE PROVOKATIONEN. DER RUSSISCHE FUTURISMUS“ image_icon_width=“32px“ icon_alignment=“left“ content_max_width=“100%“ _builder_version=“4.27.4″ _module_preset=“_initial“ header_font=“Source Sans Pro|600|||||||“ header_font_size=“20px“ header_line_height=“1.2em“ body_font=“Source Sans Pro||||||||“ body_text_color=“gcid-a9d8e14e-2f78-408a-a83c-506939196b52″ body_line_height=“1.6em“ custom_padding=“20px|20px|20px|20px|true|true“ animation=“off“ header_font_size_tablet=“16px“ header_font_size_phone=“15px“ header_font_size_last_edited=“on|desktop“ border_radii=“on|30px|30px|30px|30px“ border_width_all=“1px“ border_color_all=“#000000″ locked=“off“ global_colors_info=“{%22gcid-a9d8e14e-2f78-408a-a83c-506939196b52%22:%91%22body_text_color%22%93}“]<\/p>\n 1912 ver\u00f6ffentlicht, schlug das Moskauer Manifest der Futuristen ein wie ein Paukenschlag:<\/span> Mit ihrem revolution\u00e4ren Selbstverst\u00e4ndnis forderten Majakovskij und seine Mitstreiter nicht nur eine k\u00fcnstlerische, sondern auch eine gesellschaftliche Zukunft ein. In ihrem Vortrag beleuchtet Elisabeth Cheaur\u00e9 <\/span>die theoretischen Konzepte der k\u00fcnstlerischen Arbeiten ebenso wie die Begeisterung der Akteure f\u00fcr revolution\u00e4re Umbr\u00fcche und ihr Scheitern an der Realit\u00e4t der Oktoberrevolution.<\/p>\n [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Zeichen der Zukunft Sommer 25Im Zeichen der Zukunft \u2013 Wir geben die Hoffnung nicht auf!Auch in diesem Semester erwartet Sie ein vielf\u00e4ltiges Programm rund um internationale Politik, deutsch-russische Beziehungen, Geschichte […]<\/p>\n","protected":false},"author":9,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-7494","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.zwetajewa-zentrum.de\/en\/wp-json\/wp\/v2\/pages\/7494","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.zwetajewa-zentrum.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.zwetajewa-zentrum.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.zwetajewa-zentrum.de\/en\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.zwetajewa-zentrum.de\/en\/wp-json\/wp\/v2\/comments?post=7494"}],"version-history":[{"count":16,"href":"https:\/\/www.zwetajewa-zentrum.de\/en\/wp-json\/wp\/v2\/pages\/7494\/revisions"}],"predecessor-version":[{"id":7687,"href":"https:\/\/www.zwetajewa-zentrum.de\/en\/wp-json\/wp\/v2\/pages\/7494\/revisions\/7687"}],"wp:attachment":[{"href":"https:\/\/www.zwetajewa-zentrum.de\/en\/wp-json\/wp\/v2\/media?parent=7494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Unsere Partner<\/h2>\n
Kommende Veranstaltungen<\/strong><\/span><\/h2>\n
Die klassischen Gr\u00f6\u00dfen der russischen Literatur sollten \u201evom Dampfer der Gegenwart gesto\u00dfen\u201c werden, um Platz f\u00fcr etwas radikal Neues zu schaffen.<\/span><\/p>\n